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Cinema lenses · Athena Prime

NiSi Athena Prime Rewind

Full frame cinema lenses with two characters in one: wide open, the soft, warm rendering of film-era glass; stopped down, a clean, sharp modern lens. You pick the look with the aperture, without changing lens.

Athena Prime Rewind at a glance

  • 5 focal lengths, from 14 to 85mm
  • T1.9 the strongest vintage character
  • T5.6 from here, close to a modern cinema lens
  • 46mm image circle, full frame

PL mount, the same colour as standard Athena Prime, matched weight and size across focal lengths. Buy them one at a time or in the kit with the case.

See the difference ↓
The Athena Prime Rewind set around a cinema camera, in red light

A look that changes with the aperture

The same Rewind 35mm, the same scene: vintage at T1.9, modern at T5.6.

Rewind 35mm at T1.9: soft and warm, with halos on the highlights
Rewind 35mm at T1.9: soft and warm, with halos on the highlights
Rewind 35mm at T2.8: a balance of character and sharpness
Rewind 35mm at T2.8: a balance of character and sharpness
Rewind 35mm at T5.6: close to a modern lens
Rewind 35mm at T5.6: close to a modern lens
ApertureWhat happens
T1.9The strongest character: aberrations, softness, bubble bokeh and warm flares
T2.8The sweet spot between style and sharpness
T4The bubble bokeh fades
T5.6 – T8Behaves close to a modern cinema lens

Rewind or Athena Prime?

At T1.9 the Rewind is softer and warmer, with more flare. The colour stays the same as Athena Prime: intercut both sets on the same project with no correction in post.

Athena Prime 35mm at T1.9
Athena Prime 35mm at T1.9
Athena Prime Rewind 35mm at T1.9
Athena Prime Rewind 35mm at T1.9

Lenses and kits

Buy the five focal lengths one at a time or in the kit with the hard case.

Filters and accessories

PL rear filters, adapters for other mounts, Athena cases and caps.

Athena Prime Rewind in pictures

  • Athena Prime Rewind 35mm on a cinema camera, in orange light

    Warm flares

    Much stronger than on standard Athena Prime, and warm in tone: they add atmosphere to backlit scenes and practicals.

  • Athena Prime Rewind 85mm on a fully rigged cinema camera

    Bubble bokeh

    Wide open, out-of-focus highlights have bright edges and darker centres, most of all on the 35 and 50mm.

  • Camera operator shooting with an Athena Prime Rewind on set

    Built for set

    Matched weight and size across focal lengths: swap lenses without rebalancing the gimbal. A 300° focus ring.

  • The Athena Prime Rewind kit hard case open, with the camera

    The kit in its case

    The five focal lengths in their hard case, ready for set from day one.

The standard series Athena Prime: eight focal lengths, six mounts Athena Prime with the modern look, from 14 to 135mm, in PL, E, RF, L and G mount. Discover Athena Prime
Technical specifications
FeatureValue
Focal lengths and apertures14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9
Formatfull frame, 46mm image circle
MountPL, with adapters for other mounts
Focus rotation300°, fluorescent scales
Filtersrear mount for filters and gels
Colourmatches standard Athena Prime
Weight and sizethe same across focal lengths

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